ARAD PDTD BA (Hons)
Olivia began training in Sydney with Joan and Monica Halliday until their retirement, then full-time with Marie Walton Mahon in Newcastle. At 14 she moved to Paris studying with Monique Arabian, then at École Nationale Supérieure de Danse de Marseille. At 16 she gained a scholarship to English National Ballet School.
Olivia danced in Europe for 10 years working with Balletto di Teatro Massimo, Cannes Jeune Ballet, English National Ballet, and 5 years as a soloist at Stadt Ballett Koblenz, Germany. She performed and created roles in many ballets including Giselle, Nutcracker, Swan Lake, Allegro Brilliante, Paquita, Stalin Dances, West Side Story, La Cage Aux Folles, Orpheus in the Underworld, Cabaret, Violin Concerto.
While working in Germany Olivia completed a Bachelors degree in Professional Practice (Ballet) from London University, achieving First Class Honours.
Before returning to Australia, Olivia gained a Distinction in the Professional Dancer’s Teaching Diploma from the Royal Academy of Dance (RAD), London.
Upon returning to Australia Olivia danced in the Opera Australia production of Faust, dancing the leading role in the 20 minute ballet in Act 2. She performed Faust during the Sydney season at Sydney Opera House, then toured with the production to Adelaide and Perth.
International Guest Teaching:
RAD International Summer School Tokyo, Singapore, London, Fondo Italy
McDonald College Summer School
RAD Isobel Anderson and Joan & Monica Halliday Awards competition classes
Genee International Ballet Competition competitors class Sydney
Sydney Eisteddfod Ballet Scholarship and the Robert & Elizabeth Albert Junior Scholarship
International Ballet Workshop Melbourne alongside Dusty Button, former Principal of Boston Ballet
Betsy Sawers Awards Canberra adjudication
RAD Adelaide Summerschool alongside Matthew Lawrence, former Principal of Australian Ballet
International Ballet Workshops Gold Coast alongside Ken Ludden, Director of the Margot Fonteyn Academy in New York
Ibstage International Summer School Barcelona alongside Larissa Lezhnina, former Principal of Mariinsky Ballet, and Samira Saidi, Ballet Teacher at Royal Ballet School
AICD Houston Ballet Scholarship adjudicated by Marilyn Jones OBE and Mark Brinkley OAM
Olivia has adjudicated the Royal Academy of Dance Genee Challenge Competition Canberra and the South Australia Advanced 1 Bursary.
During Olivia's career she has had the honour of performing for the Queen of England, the Prince and Princess of Spain, and has worked for Madonna in an autobiographical feature film she created.
Olivia is committed to safe dance training. She has trained in the Progressing Ballet Technique method and in Dance Physiotherapist Lisa Howell's Level 1 Injury Prevention and Level 2 Pointe Safety Courses.
Olivia speaks French, German and Italian, and travels regularly overseas with students to experience the international dance scene.
Ballet & Repertoire
Cathie is a former soloist of Royal New Zealand Ballet. She was Assistant to the Director of Australian Dance Theatre in South Australia before moving to Western Australia where she worked as Associate Artistic Director of the West Australian Ballet. Since returning to Sydney Cathy has worked with Sydney Dance Company and with Bangarra Dance Theatre as Rehearsal Director.
Catherine trained in the Russian Vaganova method and RAD, before moving to Hungary to train at the Hungarian Dance Academy. Upon graduation she became a member of The Miskolc Ballet, Hungary. She has now returned to Sydney and is imparting her knowledge to the students of Danceworks Sydney.
Ballet & Pas de Deux
Mitchell began formal dance lessons at the relatively late age of 13 in his home town of Newcastle. In 2001 he commenced at the Robyn Turner Ballet School, where he studied classical, jazz, contemporary and character dance, before taking up full-time dance studies there under the guidance of Tessa Maunder in 2003. Mitchell was accepted into The Australian Ballet School in 2005 and received a contract with The Australian Ballet in 2008 where he went on to perform roles in many traditional ballets as well as new works by various esteemed choreographers such as Graeme Murphy & Alexei Ratmanksy.
Valerie Jenkins is a highly respected teacher of the Cecchetti style of ballet. She began teaching ballet many years ago, and even taught Olivia Jenkins ballet when she was 10yrs before Olivia moved to France (although there is no relation).
Her students benefit from her patience and dedication while learning a graceful style of ballet which expands their experience and versatility as dancers.
B Sc Arch (Hons), B Arch (Hons)
Wanda has a uniquely broad range of knowledge in National and Character Dance, with more than 25 years teaching experience, and has directed major dance events for over 10 years at the Sydney Opera House as Assistant Director of the National Folkloric Festival and Artistic Director of the Festival of Cultures.
Her education was grounded in the Russian Moiseyev style, and most of her teachers came through its rigorous training and tradition. She has studied dance at prestigious institutes in Moscow, and the repertoire she teaches includes character and national dance from many cultures.
She has taught extensively in ballet schools, tertiary institutions and for performance groups, and has had guest engagements for WAAPA, the Royal Academy of Dance, the Cecchetti Society, Ausdance, NIDA, and the University of Natalia Nesterova (Moscow). She has choreographed for productions by Kim Carpenter’s Theatre of Image and Sport for Jove. Wanda was a regular adjudicator of the World Dance sections for Sydney Eisteddfod and is a Trustee of the Guillermo Keys-Arenas Dance Trust.
Ellena trained at White Lodge, Royal Ballet School and English National Ballet School in London. Upon graduation she joined Teatru del Sibiu in Romania where she was promoted from Artist to Demi Soloist and danced many leading roles. Ellena moved to Australia with eh partner in 2017 and is very happy to join the faculty of teachers inspiring the younger dancers at Danceworks Sydney.
Lyrical & Jazz
Zac trained at Tisch University of Performing Arts, New York, completing a Bachelor of Arts in Musical Theatre and Choreography. Zac is an accomplished dancer, singer, actor and choreographer. His theatre and television credits include: The Arena Spectacular Grease, Into the Woods, MAUI the Musical, The King and I [New York], Kiss of the Spiderwoman, and Pyjama Games.
Angela has extensive international experience both as a performer and a choreographer of contemporary dance. She is the Founding Director/Choreographer of Twisted Element contemporary dance company..
She is a gifted teacher and inspires her students with her dedication to creating original choreography.
Students are encouraged to push their boundaries and develop a wide range of skills enabling them to perform exciting and memorable routines.
Nicholas trained on full scholarship at the Stella Mann College of Performing Arts, London. Upon graduation he gained a place on the Fred Olsen Cruise Lines. After 6 months at sea her joined Grayboy Entertainent as a Dancer in the Carnival Fleet - P&O Pacific Aria.
Marie is internationally regarded as one of Australia’s best ballet teachers, training numerous professional dancers working in famous companies throughout the world. Marie has developed a unique method to help dancers reach their potential - “Progressing Ballet Technique”, taught at Danceworks Sydney.
Dance Therapy & Ballet
Dance Therapy is Alisha’s speciality. Following a professional dancing career Alisha trained in Victoria to become expert in methods to assist those with disabilities to benefit from dance, including those with Parkinson’s Disease, Alzheimers and children with impaired motor skills.
As a former Principal of Royal Danish Ballet Martin brings a wealth of knowledge to his repertoire classes.
Ballet & Pas de Deux
Radim studied at the Prague Dance Conservatory graduating with ‘Absoluturium’ - Diploma of Dance (Ballet) and Ballet Teaching.
He then joined Czech National Ballet, dancing numerous solo roles from the classical and contemporary repertoire during his 16 years with the Company including Jiří Kylián’s Sinfonietta, Field Mass and The Child and Magic, Mats Ek’s Carmen, Balanchine’s Who Cares?... In 2010 he joined the Ballet of the National Theatre Brno, Czech Republic, as a lead dancer.
Radim migrated permanently to Australia in 2015 and is now the Manager of Bloch York Street, the flagship store of Australia’s leading dance footwear and apparel retailer.
Radim holds great knowledge, insight and first hand professional experience in the field of the performing arts, in particular ballet and dance. He has studied and performed numerous dance styles throughout his careers and has worked with world-renowned choreographers and teachers.
With a background in the dynamic Israeli contemporary dance scene Omer teaches and choreographs with a fresh in-depth approach.
Contemporary & Jazz
Sasha specialises in contemporary dance and musical theatre. She has performed in commercial videos with Lily V, and recently was an ensemble member of The Bodyguard - The Musical.
She brings to her classes a knowledge of current dance trends in contemporary and commercial dance.
A legend is one description of Joan. She has been one of the foremost teachers in Australia. Together with her sister Monica, Joan was a performer in the Borovansky Ballet - Australia’s first professional ballet company. The sisters went on to found a premier dance school in Sydney, where Olivia Jenkins began her training.